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Making things out of vinyl records

Place a heavy can on top of the record. Again, make sure that the can is centered. The can will weigh the record down as it heats up, and help it conform to the shape of the bowl. Bake the vinyl until it starts to warp. Place the baking sheet into the oven and let it bake.

100+ Vinyl Record Craft Inspirations ( Upcycled / Recycled Art )

After about 3 to 5 minutes, the vinyl will start to soften and warp. Do not bake it longer than 10 minutes. Use a metal spatula to poke and prod it. Take the record out of the oven and let it cool.


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Use a pair of oven mits to take the entire baking sheet out of the oven. Set it down onto a heat-safe surface, and let the record cool down. This should only take about 10 to 15 minutes. Remove the record from the bowl. The record will now have a bowl-like shaped with ruffled sides. You can use it to store non-food items, like as jewelry, ornaments, or even remote controls. Method 2. Open up a window or turn a fan on so that you have good ventilation.

11 crafts for old vinyl records

Make sure that the oven rack is in the bottom portion of the oven. Set a glass or metal heat-safe bowl upside down on a baking sheet. If you'd like to further protect your baking sheet, cover it with aluminum foil or parchment paper first. You can also use cans, mugs, or even metal colanders [7]. Place your record face down on top of the bowl.

Vinyl record clock

Make sure that the record is centered, and that the side you want to be on the inside is facing down. Bake the record until it becomes soft and malleable. This should take about 3 to 5 minutes, but it would take up to 8 or 10 minutes. Keep an eye on your record, however, so that it does not melt. Once it starts to warp, you are ready for the next step.

Take the record out of the oven. Use a pair of oven mitts to pull the entire baking sheet out of the oven. Set it down onto a heat-safe surface. Shape the record with your hands. You may be able to do this with your bare hands, but you will need to be careful so that you don't burn yourself on the base bowl or the baking sheet. You can also shape the bowl using a metal spoon or spatula instead.

The record will start to cool and harden in about 20 to 30 seconds, so work quickly!

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Let the record cool before taking it out of the bowl. After about 10 to 15 minutes, the record should be rigid again, and cool to the touch. Once that happens, you can lift it off of the base bowl, and use it to store non-food items, such as remotes, knick-knacks, or accessories. Exposure to carcinogenic compounds can result in cancer many years after the initial exposure. There is no way of knowing when it will occur. Smoking became popular in the s and there was a corresponding rise in the cancer rate in the s.

Working with any materials that outgas toxic compounds and not wearing safety gear is not a good choice. Heating vinyl results in many of these carcinogenic compounds being released.

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Yes No. Not Helpful 0 Helpful 1. Include your email address to get a message when this question is answered. Already answered Not a question Bad question Other. Tips If you don't like how your bowl turned out, place it back into the oven, and heat it up again! If your furry housemate sheds on your record bowl, simply wipe the bowl clean with a damp cloth. Spray the base bowl with cooking spray before adding the record to make the record easier to remove. Try it with a square or rectangular one. Decorate the finished bowl with paint, stickers, or glitter glue.

You can use a heat gun to soften the record, but make sure that you wear heat-proof gloves and that you work in a well-ventilated area. In , Thomas Edison became the first person to snatch sound waves out of the air and engrave them onto tinfoil cylinders that could be read by a needle and played out loud. The next evolution in music playback took a more familiar form: a flat acetate record that spun at 78 rpm.

Show Notes

It all starts in a studio, where musicians work with engineers to record and mix their album. The resulting audio is then sent off for mastering, which is the process of preparing the album for reproduction. Mastering for vinyl requires special knowledge of the format and a skilled ear. When a vinyl record is properly mastered, its warmth and depth will immediately distinguish it from its digital counterpart.

It can even skip if the sonic errors are too egregious. Like digital formats, vinyl can reproduce the entire audible frequency spectrum—but how vinyl achieves this is quite different than the way it works in the digital domain. This is because a record needle has to physically track the sound waves that are inscribed in the grooves. The lower the frequency think bass , the wider the groove.

The idea was to reduce the bass and boost the treble content in the record groove. When you play the record, your phono preamp applies the opposite equalization, restoring the natural sound balance. This is just one of the unique techniques employed by an engineer mastering for vinyl. For example, the bass generally must be centered in the stereo mix and there are special requirements for levels, dynamics, and compression.

Doing this requires a studio with the proper tools for analog mastering.

In the cutting studio, the mastering engineer places a blank lacquer onto the lathe and the machine transforms the auditory energy of the recording into the physical movement of a needle on the lacquer. In this sense, the lathe is the opposite of a turntable, turning sound into movement instead of movement into sound. At the end of this mastering process the lacquer looks a great deal like a finished record.

A lacquer on a cutting lathe. First, the lacquer is put into a series of baths to gently neutralize any dust or oil that may be on its surface. Then, using a spray gun, the lacquer is spritzed with a fine mist of silver until one side is evenly coated. At this point, the electroforming process can begin. This process uses an electric current to slowly form a nickel plate on top of the lacquer. First, the silvered lacquer is lowered into a bath of chemicals mixed with nuggets of nickel.